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09Jun
Cameroon Journalists Trained on Film Criticism
Helen Ngoh PDF Print E-mail
Wednesday, 09 June 2010 14:36

film_reel2That film criticism may soon find space in the Cameroonian news media is something to write home about. The practice had virtually been absent, especially in the Anglophone press, yet filmmaking in the country is making great strides.

This was the basis of a two-day workshop that took place in Buea, South West Region recently, with 20 English-speaking arts journalists receiving lessons on film criticism. It was jointly organized by the German cultural centre (Geothe-Institut Kamerun) and the Cameroon Association of English Speaking Journalists, CAMASEJ.

The seminar had as resource person, Nigerian arts journalist Steve Ayorinde, and its overall objective was to encourage English-speaking journalists in Cameroon to report and do more critiques on films, especially the ones made in Cameroon by Cameroonians.

Ayorinde drilled the journalists on the basics of film criticism and writing techniques that go beyond simply narrating a film's storyline. The Nigerian film critic drew inspiration from his country's experience, today described by observers as the Nollywood success story. In an opening presentation, Ayorinde told the Nollywood story - where it came from and far it has gone. The vibrancy of the Nigerian film sector quickly translates into a rich arts reporting practice, it was established.

The Nigerian guest then encouraged his Cameroonian counterparts to be positively aggressive towards reporting the arts and to demand more space in their newspapers and airtime on radio and TV, for it.

While appreciating the workshop, some of the journalist participants said the task was going to be possible but challenging, given the paucity of Cameroonian films and the overtly commercial nature of most media outfits in the country that would always put a "publicity" tag on such stories.

Award-winning films from South Africa, Kenya and Nigeria were projected for film criticism exercises. Also lined up for projection were two Cameroonian movies, Itambi Delphine's Woman's World and Wegmuller Ikome's Not My Will.

One of the highlights at the Buea workshop was an overview of the film landscape in Cameroon presented by TIPTOPSTAR editor and film journalist Ernest Kanjo.

Participants came from several media organisations incluing the Cameroon Radio Television (CRTV) Cameroon Tribune, The Post Newspaper, Eden Newspaper and others.

Steve Ayorinde is a film critic and has served on juries of reputed film festivals such as Cannes (France), Toronto (Canada), Cairo (Egypt) and AMMA (Nigeria).




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Last Updated on Wednesday, 09 June 2010 15:24
 
07Jun
Buea in the frame
Ernest Kanjo PDF Print E-mail
Monday, 07 June 2010 12:45

Not_My_Will.74REIt is much easier to talk about the university when Buea is mentioned. Fewer Cameroonians are yet to be aware that the South West regional headquaters is fast growing in filmmaking. Yet, that is the truth. That Buea can be cited today when it comes to film production is something to write home about. Let us look at some of the pallatable stories that have happened here within the last five years, if we must establish a reason for Buea's coming into the limelight.

In late 2004, one of Buea's most prominent film producers, Agbor Gilbert shipped in Nollywood's Zack Orji, Olu Jacobs and Dakore Egbuson into Buea to shoot a movie. Together with Cameroon's Ivan Namme (doing the lead role), the movie stars attracted public attention and that was the beginning of a newfound interest in what was happening in the industry. Before the Sunrise, the end product later became a much-talked about movie and till date, one of the most successful Cameroon-Nigeria co-productions ever. The movie was shot on locations in Buea and Limbe and premiered in Yaounde in 2005.

Inspired, many more young film producers, directors, actors and production outfits have emerged from Buea. Producer Itambi Delphine is one of the daring young girls Buea is today proud of. Her maiden production, A Woman's World has not left anyone indifferent. "When I look at Itambi, I see a visionary young female Cameroonian whose dreams and efforts will caterpult this industry to greater heights,'' said a journalist recently about the producer of A Woman's World, who is also a very talented actress. Recently, at a workshop in Buea, Itambi held journalists spellbound when she presented the film landscape in Cameroon, expressing disappointment in the lacklustre attitude of the media. The young Buea-based film producer is currently mapping out her next movie project.

Working closely with Itambi is Anthony Kamwa, one of Buea's most prominent film directors. Having masterminded several film projects, Kamwa's ingenuity keeps filmmaking in Buea alive. His works have caught the attention of the German cultural centre, Goethe-Institut Kamerun who have feature the Buea film director in some of their programmes including the monthly "Film Klub" in Yaounde and a workshop in Bamenda bringing together filmmakers from English and French-speaking Cameroon and Nigeria.

As Buea grows, film production studios also make their way in. One of them is the now famous Blue Drops Studio, situated at the student stronghold, Molyko. Run by Wegmuller Ikome, Blue Drops has stood out as the pivot in video production in the town of Buea. One would vividly recall Not My Will, a lates movie (to be premiered in June) that has been the talk of the country in recent weeks. The Wegmuller film features stars such as Afro jazz singer Achalle, Belleh Asong, Eka Christa, Constantine Mbom of STV, Ayukachem Stephen (Maru Gatscaya), Sley, Bright Phase and BAAM. Not My Will is edited by Njukeng George, also reputed as one of Buea's leading film editors and D.O.Ps.

Meanwhile, Buea undoutedly leads as far as film equipment is concerned. Ntoko Media is a household name. Established over a year and the half ago, the film equipment outfit run by Ntoah Epitime is an assurance that movies produced in Buea and why not Cameroon will henceforth meet international standards, technically. The young filmmaker, also a producer (watch Total Stranger shot in London) is on the road to organising the first ever film carnival in Cameroon. The event will be coming up soon.

Perhaps, one of the best stories about films in Buea is the town's distribution outfit. Today Magic Touch is meeting point of Cameroonian movies and their makers. With the absence of a visible publicity medium for Cmaeroonian movies, Magic Touch has been playing that role for quite some time now. Its proprietor, Nche Francis will always be remembered for his unquantifiable contribution to the development of the industry. Nche also runs a branch of Magic Touch in Yaounde.

Buea's exciting growth in film production is what would have attracted organisers of the annual Fako Film Festival, today rated among the prestigious film events in the country. It takes place every April at the Franco Alliance Camerounaise in Buea and brings together movies and filmmakers in Fako Division. Two of Cameroon's luminary film critics, Jean-Marie Mollo and Telesphore Mba Bizo sit on the jury of the festival.

Such enviable achievements are what Mungwa Eric, newly elected Cameroon Film Industry (CFI) Buea zone president is challenged to consolidate. Speaking in Buea last week, Mungwa promised Buea is going to stand strong and dish out good quality films that will quench the thirst of Cameroonian movie lovers. "This requires good organisation and a censors board is not out of question,'' he told reporters as he took office.





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13Apr
Christian Hypocrisy to change Chritians
Ernest Kanjo PDF Print E-mail
Tuesday, 13 April 2010 21:33

film-stripAn entirely Cameroonian laugh and learn serial in the making! Its title is Christian Hypocrisy. It is an Our Home Production Inc. / Assah Elvis production. Directed by Asaah Elvis, the serial will run for seven seasons on Yaounde-based Chritian channel, Jesus TV. "We are really thankful to Jesus TV for accepting to screen our serial," says Marc Woaw, Our Home Pro Artistic director.

Christian Hyporcrisy as the title implies decries the unpious nature of so-called God-fearing people, always caught doing secular things. "We are just concerned about the prolifiration of Christian Churches, situation that ironically nutures more hypocrites that true follwers of Christ," Marc Woaw goes on. "We hope the serial will not only teach Christians, but will help change their attitudes."

The serial, shot in February and March on Yaounde locations will be released and launched in June. Cuts of the serial will be projected at the next edition of Models' Nite in Yaounde in the coming days

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Last Updated on Wednesday, 21 April 2010 09:02
 
13Apr
Neba Lawrence in Cape Town
Ernest Kanjo PDF Print E-mail
Tuesday, 13 April 2010 21:26

film-festivalOne of Cameroon's most-sought-for film directors, Neba Lawrence is in the South African city of Cape Town.  Neba arrived there a forthnight ago for a movie project, sponsored by a young Cameroonian businessman who is resident in South Africa. Shooting of the African glamour movie kicked off of Thursday 8 April 2010. "Everything is moving on smoothly since I arrived in South Africa and I must assure you we are on for a hit movie," Neba told me on the line to Cape Town. The young Cameroonian director is working with a mixed cast made up of actors from Cameroon, South Africa, Nigeria, Zimbabwe, Congo and France. It's just another experience for the Yaounde-based filmmaker who has never had such an international mix of actors on set. Neba who in 2008 was declared  by  ACE Awards as the most daring young film director has several movies to his credit including, Black Vampire, Forsaken Rose, Land of Shadows (co-driected with Zack Orji), Great Pain and Royal Destiny. His humility has quickly won him admiration within the film industry in Cameroon. More on the Cape Town project whose title is yet to be declared in subsequent updates.

 


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Last Updated on Wednesday, 21 April 2010 08:55
 
02Apr
From Clash of Inheritance to Royal Clash
Ernest Kanjo PDF Print E-mail
Friday, 02 April 2010 03:54

Clash of InheritanceWho says the film industry in Cameroon is not heading for glorious moments! There is definitely light at the end of the tunnel for young filmmakers, many of whom are making great strides day in day out. For the first time, an entirely Cameroonian movie is penetrating Africa with so much ease. Reports say Agbor Steve's Clash of Inheritance is selling like hot cake in Nigeria, Ghana, Sierra-Leone, Zimbabwe and South Africa. "We've been getting feedback from these countries about the brilliant performance of the movie," Neba Lawrence, its director told us recently. Clash of Inheritance has been bought over by a Nigerian marketer who three months ago confirmed he had sold more than 20,000 copies at that time. Three months on, one can conjecture what would have taken place in the market.

On the line from Cape Town, South Africa, a Cameroonian businessman told me he was moved when he watched the movie. "I became very interested and itchy and know more about the movie because of the name of the director which sounded Cameroonian," he said. And went on, "Else, I was going to believe it was done in Nigeria." "I was really impressed and that has inspired me so much. I will do my own movies," he laughed.

Launched over nine months ago, Clash of Inheritance cum Royal Clash is shot in Mamfe, featuring Muma Pascal, Eyong Quinta, Solange Ojong, Eyo Eyo Michael, Aaron Nkongho, Tanyisong Candylaurice, etc. Its producer Agbor Steve, now reading Advertising at the Yaounde Advanced School of Mass Communication, ASMAC will be back on set in the coming days for yet another epic movie.

 

 


 
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