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02Apr
The pleasure in Great Pain
Ernest Kanjo PDF Print E-mail
Friday, 02 April 2010 03:10

good1One hundred and thirty minutes may turn out to be too short when you finally watch Great Pain. Then, you would definitely wish te film were extended. This is because the movie is in simple terms, interesting. It is properly packaged piece of home video any movie lover would love to watch again and again.

Produced by Valentine Achu and his Bamenda-based Star Track production company, Great Pain is undergoing post-production. "We're about rounding off," the producer told me. And added, "It will be released and launched in Yaounde and Bamenda in April."

Achu told www.tiptopstars.com it's taken them some time to package the movie because they wanted quality work. He is satisfied and believes Cameroon, Africa and the rest of the world would appreciate Great Pain.

Great Pain is directed by Neba Lawrence, featuring Yimbu Emmanuel, Solange Yijika, Muma Pascal aka Bob, Chiatoh Collins, Ngongang Janvier, Agbor Magdaleine and Titih Charles. It is shot on locations in Bamenda.

It should be noted that Achu Valentine is the brother of Thomas Achu Belton of blessed memory. Belton is one of the biggest brains Cameroon has had as far as filmmaking is concerned. He is always referred to by rising actists and technicians. In 2008, he was post-humously crowned by ACE AWARDS. Young Valentine is relentlessly working to keep the Belton Empire alive. Great Pain could just be one of the ways to do that.

 

 


 
02Apr
Ride My Wrongs Out Soon
Ernest Kanjo PDF Print E-mail
Friday, 02 April 2010 02:39

Ride My Wrings shooting castCameroon is bracing to welcome yet another explosive movie. Ride My Wrongs is currently undergoing post-production in a Yaounde studio. The 90-minute film was shot on locations in Yaounde. It is glamour in every sense - gorgeous costumes, smooth and attractive make-up, befitting apartment and above all good acting.

Perhaps good acting is what will sell Ride My Wrongs more. For another time, star folklore singer, Richard Kings is starring in a movie. For those who know him, the Yaounde-based musician is an excellent speaker. This quality of his could not escape the attention of producers of the movie. "And behold, Richard gave us just what we wanted," Elvis Tanwie, the movie's director told me. "He was great and showed no signs he was a fresh boy on set." Tanwie went on.

As well, newcomer Epule Jeffrey put up an amazingly wonderful perfomance. Jeff, as he is fondly called is only new in the industry, but his set show is sufficiently mature. "Paired up with Richard, Jeff was great," lighting technician, Tanko Frank said.Ride my Wrongs shooting 1

Then came Ebot Vera, the revelation in the Cameroon film industry! Her performance in Ride My Wrongs caused the producers to vow not to miss her in any subsequent production. The ebony-like actress, a Masters student in the Performinmg Arts and Cinematography Department of the University of Yaounde I reproduced her lines, gesticulated, smiled and cried when the directed needed her to, etc. Then her ebony complexion gave the movie the flare, savoured in contemporary urban African stories.

On her part, Awobang Perine dished out what she knows best - what she had earlier performed in Student's Cot, Osmosis and others. Reacting to Perine's performamce, Tanwie said, "She impressed us as usual."

Ride My Wrongs will be launcehed in June in Yaounde and most probably Kumbo. It is directed by Elvis Tanwie, also featuring Tim Solange. While Ashley-Amourmega aka ANIVA did the continuity, Dogstar managed the sound. Watch out for this bluck buster!

 


 
04Mar
Hit telefilm in the making First ever comedy series on way to CRTV
Ernest Kanjo & Abigail Noella PDF Print E-mail
Thursday, 04 March 2010 09:55

CRAZY_ENTERPRISEOne of the hottest telefilms ever is on its way to Cameroons national television, CRTV. The Crazy Enterprise is a production of Blue Diamonds Entertainment, under gestation. The 52 episode series, written by Chi Anthony is being shot on locations in Yaounde. According to the author, The Crazy Enterprise deals with corporate misdemeanor: corruption, competition, fight for position, back stabbing, blackmail, sexual harassment, dishonesty etc. He further tells us the story is born from inspiration from a Yaounde college principal "When she came back form the US, the said College head recounted her experience from which I drawn inspiration to write the story" Chi tells us. To make it more attractive, the producer of The Crazy Enterprise decided to make it a situational comedy (Sitcom).

    What has it taken the young producer to engage in such a huge project? "Sound financial material and human resources," says Chi. He goes on:  "We have improved in every other aspect of production from Ancestral Wrath and the other productions you know about." The young producer explains that unlike before, they are using a DV Cam 2009 version. "Lighting has moved up from 500 to 1500 watt," he explains further. A costume department set up specially for the project constantly sews and supplies appropriate costumes to actors. The 11 crew members and 85 actors, TIPTOPSTARS learnt, are entitled to 3 square meals each shooting day. However, it is a big challenge having to deal with huge crowds, but the producer of The Crazy Entertainment is succeeding in doing that. "This is because the actors, actresses and crew members are quite disciplined," says Chi.

     The Crazy Enterprise is expected to hit the airwaves in March this Year. It is directed by Billy Bob Ndive starring Yimbu Emmanuel, Solange Yijika, Muma Pascal, Quinta Eyong, Njoya Grace, Tunyi Florence, Fri Louisa, Ofer Rose, Agwe George Keti sylvanus, Tume Balon and Ebot Vera. Also featuring are Blessing Peace, Ruthy Johnson, Forgwe Jennet, Marc Vaow, Kingsley Fisher, Mbang Milton. The series also benefits from a production collaboration of some young English producer/directors including Neba Lawrence, Asaba Ferdinand (Penda), Agbor Steve, Agbor Gilbert, Vivian Nintal, Chiatoh Collins, Yisi Mathew and Godwin Nganah.


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04Mar
More Women to delve into film directing Will Yaounde women’s film festival be platform?
Ernest Kanjo PDF Print E-mail
Thursday, 04 March 2010 09:43

MisMeBingaThough considered as embryonic, Cameroon's film industry is four decades old. Within this period, there has been a remarkable involvement of women. There is hardly any artistic or technical crew that sets out for a movie project without women on board. Their presence at locations is always significant.

Usually, they would prepare the beautiful costumes and make sure the actors are properly clad in them. They would display their make-up prowess on actors' faces, giving out just what the director desires. Perhaps, their most significant role is "welfare". Since actors and directors are red carpet personalities, the women make sure they are well fed, taking into consideration quantity and quality.

Unfortunately, the role of women, for over 40 years has not gone beyond these. They have hardly stood behind the cameras to call the shots. Ask why it is an issue. It is established that directing is the most prestigious aspect of filmmaking. So, does it mean when it is juicy, women should be left out, whereas, directing is something they too can do?

This is a reflection that has inspired GIC VIDEO STAR, a film common initiative group, mostly made up students of the Performing Arts and Cinematography Department of the University of Yaounde I. To get women on board and encourage them to direct films, the CIG is organizing a festival to their honour. Dubbed Mis Me Binga, the festival will take place in Yaounde from 4 to 8 March 2010, with three major aspects: a round-table conference to discuss strides women have made and how far they could go, film projects and film contest.

Dozens of films (including some from English-speaking Cameroon), directed and produced by women have been lined up for projection at the Goethe-Institut, the French Cultural Centre and the Nkomkana Youth Centre in Yaounde. Also on the programme will be films from other countries including Namibia, Germany, Israel, Finland, Spain, Canada and Japan. Sixteen of the films lined up for projection will contest in three chosen categories: best fiction, best documentary and best actress.

At a press conference last week in Yaounde, organizers of Mis Me Binga hoped the initiative would change the current phase of film making, not only in Cameroon, but in the Central African sub region and the rest of Africa.  "We think women have potentials that must be exploited. So why shouldn't they get behind the cameras and direct the films?" GIC Video Star's Martial Nguea questioned rhetorically. To him, Mis Me Binga which has come to stay should face the challenge and get female filmmakers out of the doldrums of unpopularity as far as directing is concerned. Otherwise, Nguea didn't why in 40, the country would only boast of about 15 female filmmakers, producing not more than two films per decade. "We think the time has come to redress the situation," the young film maker said.

The first edition of Mis Me Binga is now a reality, thanks to partners including the Ministry of Culture, Ministry of Women's Affair and the Family, the Embassy of the Federal Republic of Germany, the Goethe-Institut Kamerun and French Cultural Centre. Media partners such as Vox Africa, Vision 4 and Radio Campus have also been prominent.

Some films on the Mis Me Binga schedule:

·       Sister in Law (Cameroon) by Kim Longintho & Florence Ayissi

·       Bongfen (Cameroon) by Sunjo Petra

·       The Last Bus (Germany) by Maria Hensse

·       Nairobi Love Story (Gernmany) by Maria Weber

·       Lily Festival (Japan) by Sachi Hamanu

·       Rape (Cameroon) by Naah Joyce

·       Cries at Night (Namibia) by Oshesheni Hiveluah KAM by Astrid Atodji

·       La Divorce (Gabon) by Manouchka Labouba

·       Dans l'Ombre d'une autre (Cameroon) by Francine Kemegni


 
22Jan
When The Heart Says Yes
Ashu Egbe PDF Print E-mail
Friday, 22 January 2010 08:37
PosterWhen The Heart Says Yes
Sesekou Mbeng owes his success to his friend Ni Sama, who on his dying bed reminds Sesekou of their agreement some years back to have their children (Besong and Becky) united in marriage. Besong instead meets and falls in love with Barbara (a blind girl). How does Sesekou take this? Will he allow his son, Besong, to marry a blind girl and bring shame to his chiefdom?
 
In this film, by Ashu Egbe, the rich cultures of Manyu  Division and the North West Region and a love story are used to evoke social issues like adoption, physical blindness and sickle cell disease.
 
Quand le coeur dit oui
Sesekou Mbeng doit sa réussite à son ami Ni Sama qui, à l’article de la mort, tient à lui rappeler l’engagement qu’ils ont pris quelques années auparavant de voir leurs enfants (Besong at Becky) s’unir par les liens du mariage. A l’inverse, Besong tombe amoureux de Barbara (fille aveugle). Quelle sera la réaction de Sesekou ? Va-t-il laisser son fils Besong épouser une aveugle au risque de faire honte à son village ?
 
Ce film de Ashu Egbe s’inspire d'une histoire d'amour et des richesses culturelles camerounaises du département de la Manyu et de la région du Nord Ouest pour évoquer ces questions sociales que sont l’adoption, le handicap visuel et la drépanocytose.

 
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