When he is officially commissioned into office, Moh Tita Pale aka Don Pale, will for the next two years, carry the aspirations of Cameroonian actors based in the USA to fruition. The Maryland-based actor and one of the pioneers of the new film movement in Cameroon rose to the prestigious position of President of the USA branch of the National Actors’ Guild of Cameroon yesterday, September 4, 2016.
Don Pale secured a comfortable majority over Koti Aloysius at the elections that introduced a new mandate for NAGCAM-USA. “I’m quite honoured to have been elected to this position of leadership and glad with the confidence bestowed on me,” the new NAGCAM-USA boss told TIPTOPSTARS, soon after results of the elections were declared. “I’d love to extend my gratitude to everyone who voted for me and even those who did not and I pledge to be truly serviceable to the guild,” Don Pale went on.
Speaking further to TIPTOPSTARS, the new guild president explained that he will encourage open debate on issues that must be put in order to enable NAGCAM-USA achieve its goals. “But for these goals to be attained, we will need a united guild and this can only thrive on an inclusion approach. Consequently, we would open the doors of the guild and Cameroonians in the USA who are not yet part of it to step in,” Don Pale explained.
While residing in Bamenda, Moh Tita Pale signed into the film industry in 2004. When the actor relocated to Yaounde, Cameroon’s political capital, he worked with JEDIDA Pictures in some of the outfit’s slots projected on CRTV. Don did stage performances with the God-given Idiots theatre troup of the University of Yaounde I.
Upon relocation to the United States, Don became a founding member of the Cameroon Film Industry, CFI after he did same with the Yaounde-Cameroon chapter of the organization.
The young actor, known for his intellectual resourcefulness and interesting eloquence, has featured in eight movies so far. “With this background, I hope to pilot NAGCAM-USA to the apex, yet I’m going to to count on the continuous support and collaboration of members whom I’m urging to bury their hatchets and start speaking the same language,” he said.
Other members of the new NAGCAM-USA bureau are Ryan Atem (doubling as comedian) as Vice President, Nwana Beatrice as Secretary, Bih Nathalie as Financial Secretary and Treasurer, Crystal Beauty (doubling as TV show host) and Ntube McBright Powel aka B1 as Public Relations Officers, Bernadette Keyi as Social Secretary .
Don Pale takes over from Terence Neville Limona aka T-Boy.
Meantime, NAGCAM-USA was created over two years ago as a remnant of CFI-USA (subsequently suppressed to give room for guilds) with Mat Atugon as pioneer caretaker president. It is the only existing branch in the diaspora and has for the time of its existence, functioned without an adopted constitution.
Amongst the tools that are used in weaving development, education stands out. Clearly, it is the one with which every other tool depend, to perform the usually herculean task of nation building. Without education, life may go on, but with untold ruptures which could easily have been avoided, if the case was different. Even after they retire from active service, people have been seen, still studying and some, formally. That is undoubtedly illustrative to the fact that education is the key or perhaps gateway to every genuine progress.
That every child has a right to education may be well spelled out and not easily contested. But that not every child has it, is a more conspicuous reality. As we write, there are still children, who because of inadequate financial and material means, are unable to go to school. Even when tuition at elementary level is generally considered as minimal or affordable, not every child or their parents have been able to raise the money. In some cases, these aspiring learners have homeless, parentless and sickness situations to deal with, making education far-fetched.
In other situations, some less privileged children who go to school have been unable to meet their basic needs. This has most often resulted to irregular attendance (absenteeism) and suspension from school because they cannot pay or complete payment of school fees. Some of them simple drop out. This had definitely had a toll on their later lives.
Though they have always made efforts, governments have been unable to totally solve this problem. That explains why the civil society has stepped in to contribute its own quota.
Sundrop Initiative holds education in high esteem, just as the non-governmental organization bothers about the betterment of less privileged children. Contributing to the education of these children is one of the organization’s most prestigious goals.
In its social development mission geared towards bettering the lives of less privileged children, Sundrop Initiative is organizing a back-to-school fundraiser from August 26-27, 2016 in Buea, Cameroon. According to the organization, the exercise dubbed NOW, YOU CAN, is a come-together of Cameroonian entertainers who are willing to give back (in this first edition, to enable beneficiaries go back to school prepared).
To that effect, a fundraiser which will be done in the form of games has been slated for Hotel Residence Carlos, Muea. During the event, movie actors, musicians, fashion designers, models, etc, will engage in games with the general public, during which time, charitable donations will be made. “This will happen on the first day, that is August the 26th,” Elynn Fesse Basil told TIPTOPSTARS. “On day two, that is August the 27th, we shall hand out scholarships and school materials to pupils,” the founder of Sundrop Initiative told us further.
Apart from catering for the education needs of the less privileged, Sundrop Initiative also takes and follows up cases of child abuse, child labour, domestic violence, rape, basic human rights violation, etc. It also promotes gender equality and handles gender-based issues.
In February this year, the organization visited three orphanages in Fako Division in the South West region of Cameroon. The visit was succeeded by a Charity Dinner in Buea which Apex 1 Radio (www.apex1radio.com) covered live.
Meantime, a radio documentary on the Sundrop Initiative back-to-school charity programme will be produced and aired on Apex 1 Radio in early September.
Meantime, its founder, Elynn Fesse Basil is a reputably engaged Cameroonian actress who believes that films can go beyond entertainment and be a veritable medium for development.
For more information on Sundrop Initiative and for your support, contact its head office at
Sighan and Njoume are names Cameroonian contemporary music lovers are fast getting used to since both budding artists released their singles few days ago. “They’re such wonderful singers and would be forces to reckon with,” a Cameroonian, living in Ohio, USA told TIPTOPSTARS. The music lover had just listened to Ababan and Small Mami, the said tracks that is already capturing huge attention.
“We couldn’t hesitate to sign both artists because of their irresistible voices and style,” a note from Tchac-kap System Entertainment, the record label under which the young musicians operate.
The Afro pop artists are said to be introducing an unheard and unseen rhythm which is a blend of Cameroonian genres such njang, benskin, bitkutsi, makossa, assiko, etc.
Born in Douala, raised there and in Bamenda respectively, got into entertainment from childhood with skills in dancing, singing to and acting. She represented her school as a dancer at competitions such as Challenge Vacance and Campus Celebrity.
Meanwhile, Njoume, son of the legendary makossa artist and guitar icon Njoume Maurice picked music after his dad. Prior to Small Mami, the young singer did back-up for several artists.
Ababan and Small Mami were recorded at the No Hitz No Records studio in Buea and produced by Philbillbeats. Both artists were guest on Apex 1 Radio’s African Fiesta on August 10, 2016 hosted by Kristen Asiedu and Ernest Kanjo.
For more information contact:
(+237) 67001224 & (237) 676019008 Facebook: Njoume official
Sighan officialYouTube : tchac-kap systemSoudcloud: tchac-kap system
It’s fair to say that where one is born becomes the starting point in shaping our world view. Those born in urban spaces are generally open to various ways of gaining knowledge and skills to “get ahead”compared to those who are from rural areas. This does not mean that people from the rural areas can’t dwell with urbanism or become urban dwellers themselves. This piece only looks at those in rural areas since it defines a large section of our populations in Africa.
Note that those in the rural parts of our continent sometimes migrate to urban areas. Here too they have to grapple with their new environment; cope with new information from this strange environment while trying to succeed in their venture. The speed with which they succeed depends on how quickly they are able to unlearn some of their earlier “conditioning” that they have lived through, which continue to define their lives into the future.
In most of Africa where the word “entrepreneur” could be as strange as cheese is to some, their immediate environment and the way they relate to it becomes the only defining panels on which they can write their own experiences of how to succeed. “Conditioning” as it is used hereis how anyone with these rural experiences has been limited by their surroundings and their ability to gather, organize and use knowledge is limited as well. This has nothing to do with inherent entrepreneurial spirit – their ambitions and traits acquired when exposed to new and thriving environments in an urban setting.
The limits of information, the availability of vital clues, the understanding of how information can be used in this day and age, has them at a disadvantage. This contributes to how well they compete in the global space of building a small business. One is tempted to think that they didn’t push orwork hard enough; didn’t have enough ambition, but the limits exist within the context of how much they are exposed to. Their last resort is to come to the city. However, they are still confronted with their limited knowledge of accessing the information they need to get ahead in life or to build a small business.
How long they take to adjust to this new space and fit the elusive pieces of the “success” puzzle depend on their earlier “conditioning” which is a great hindrance in forging ahead. This could partly be the reason why entrepreneurship is struggling to take hold in most of Africa. Those living in the information drought conditions will often hear: “Study hard so you can get a good job” which prevents“think like an entrepreneur”. To me, the “study hard” notion is one of the worst things anybody can say to a child. What if we reverse it and propagate it in the same spirit? Study hard so that you can invent things; start a business; create new things that don’t exist now.
I am sure it will also create new “conditioning”, one that is tilted towards creating new things and/or entrepreneurs capable of taking on the frontiers of global commerce. Could the “study hard” conditioning be a hindrance to how most black youth think in most rural parts of Africa? My suspicion here is that the development of “gut feeling”, the killer instinct which are key traits of an entrepreneur is suppressed through this conditioning that takes place during the early formative years. Considering that Africa will have the youngest population in the world by 2040, how our youth is “conditioned” today to take on the world, to become global citizens, and to dare to dream, becomesthe corner stone on which our future success will be built.
From author : Solomon Atah is a Small business advertising specialist, a Personal Brand expert. He is alsothe Author of #HelpHope 7 Quantum Humanomics – Follow Twitter: @SolomonAtah: Instagram: @solomonatah
Editor's Note :Solomon Atah is a venerated broadcaster who provides valuable inputs to Apex 1 Radio. He is also a conference speaker and civil society promoter. He resides in Johannesburg, South Africa
Rita knows how much I hate dying minute invitations but she keeps sending them. Someone invites you for a party as though they wanted to send off an extra invitation which they did not want to waste.
Rita was well dressed and was really eager to attend Bih's wedding. Bih was getting married to Etchu, her long-time friend from secondary school. But why did Etchu not think of giving us an invitation before now? I really did not think we should go, but Rita insisted.
I know Rita, she was not going to this wedding because she really cared about Etchu. She just wanted a forum where she could show her great curves and new car. That’s Rita!
When we arrived, guests were already at the reception ground. I wanted us to get in, but Rita was on the phone forever. Ah, my Rita! No one was calling her. She just wanted to delay so that by the time we stroll in, everyone would be in their seat.
Finally, we got into the hall. Rita took her time walking down the isle as though she was the bride of the evening. The hostesses ushered us to a table where some "show show" boys were seated. To Rita, it was an answered prayer. She could actually show off here. All the boys on this table looked to me like "Kale Wales". Kale Wales are those boys who go to Dubai and when their visas get expired, they refuse to return. If they are not Kale Wales, they are "been tos” - (I’ve been to blah blah blah). Or supposed (supposed rich, supposed to have been to..., supposed celeb, supposed whatever!).
While we were still waiting for the bride and groom, one guy entered the hall and all eyes were on him. He was wearing a sanja, a clean white shirt and a typical graffi contri cap. I just fell in love with his dressing. As I turned to Rita to compliment the guy, one of the "been tos" made a comment that almost earned him a slap from me. He said: “I say ehhh, na weti wit dis graffi boy dem. Dey must dress off?"
I wondered what was “off” about the former’s attire. Somebody trying to do a mélange of Cameroonian attires and this "been to" is talking dull! Just as I was about to respond, the MC announced the bride and the groom as they danced to Flavour’s Ada Ada . Everyone seemed to know the lyrics of the song, but what marvelled me most was their outfit. They dressed like people from Oweri local government in Nigeria. The lady had a big ngeleh on her head with bids all over her. She looked more of Chioma than Bih. And the guy? Izuuna not Etchu ohh!.
I started wondering what was happening to our culture – the Camer culture! I cannot recall the number of traditional weddings I have attended in Camer and everyone is dressed like Naijas. What is happening to our njaps, sanjas or kabbas? We have thrown away our own and have embraced another man's own simply because he has branded his well. Naija songs have taken over our weddings. Is there anything wrong with dancing to Magasco's Marry Me? Do we have an issue with Mani Bella, Mr Leo, Koko Argentine, Renisse? Yesterday, it was the White colonial master. Today, it is the Naija colonial master!
People no longer speak Francanglais or our own pidgin. Everyone has gone ‘abi’, ‘wahala’, etc.
Oh! Have you been to Camer movie sets? Cheii!! Da one woss! Everyone on set is a Nigerian. Quan je go donc en set ehh, je wanda seulement. I was still thinking when I felt a hand on my shoulder. I turned around to see who it was. Wonders shall never end! Guess who I saw…
EDITOR”S NOTE Ifaana – The Jotter is a specialized column on TIPTOPSTARS that addresses common society issues that works enormously on our understanding and perception of people, places, events, etc. The columnist, Ifaana Qualar, a young Cameroonian communicator and actor, is a keen observer of her society’s evolution. This evolution comes along with a whole lot of phenomenal trends that never escape the writers attention. She is known to move along with a mini note book in her hand bag. Each day she steps out of her home, this note book records ever ‘insolite’ (odd) that comes it way. Translating it into pieces of publishable writing has been Ifaana’s most recent professional assignment and the Doula-based reporter finds infinite pleasure doing that. You may like to share your stories with her as well. Contact the writer at
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Ernest Kanjo